Sunday, October 25, 2009

THE MEANING OF HERE




"The meaning of the word 'here' contains the meaning of oneself."
—George Oppen

PARKING DAY

So Parking day is about comandeering parking spaces and turning them into parks! If we did this can you imagine the awesomely creative parks that would come out of it?

Monday, October 19, 2009

Map of Space Exploration

A gorgeous map of space exploration seen on this blog: http://wanderingspace.net, an excellent blog about space. The original map is from National Geographic.

Wonderfully Goofy Traveling Orchestra

JUSTE POUR RIRE, "L'orchestre d'hommes-orchestres", Montréal 2009

Guaranteed to make you smile.

Sunday, October 18, 2009

It Might Get Loud

http://www.apple.com/trailers/sony/itmightgetloud/

Saturday, October 17, 2009

Students launch camera to edge of space, snap pics of Earth

http://www.cnn.com/2009/TECH/09/21/space.camera.icarus.ireport/index.html

Tuesday, October 13, 2009

protestin

Also, if you haven't heard the CIA is recruiting tomorrow at Gateway at 1 and I think thats some bull shit.  So we're protesting! Come out and enjoy some good ol' fashion picketing. 

"In spite of the official suspension of police assistance between 1974 and 1985, CIA and other U.S . officials worked with Salvadoran security forces throughout the restricted period to centralize and modernize surveillance, to continue training, and to fund key players in the death squad network.
Even though the U.S. government's police training program had been thoroughly discredited, the Reagan administration found other channels through which to reinstate police assistance for El Salvador and Honduras. Attached to this assistance is the requirement that the president certify that aid recipients do not engage in torture, political persecution, or assassination. Even so, certain members of Congress showed concern over the reinstatement of police aid to repressive regimes. In a Senate Foreign Relations Committee hearing, Senator Claiborne Pell (Dem.-Rhode Island) asked, "I was talking about cattle prods specifically. Would they be included or not?"' more here

One of many many many reasons Hugo Chaves may have given Obama this book...

"Oh just like domestic politics or different regime issues... you know like coup de tats and dictator installment type things."


cameras cameras everywhere

Click to enlarge

Sunday, October 11, 2009

AND ANOTHER




Chlorophyll is the substance which makes green plants green. The chlorophyll molecule has the unique capacity to convert the energy of the sun into chemical energy (through photosynthesis), which the plant uses to make carbohydrates from carbon dioxide and water, and as a byproduct, furnish the earth with oxygen.

Ultimately, all living things—plant and animal—derive their energy, and therefore their life, from solar energy through photosynthesis.

Hemoglobin is the substance in human blood that carries oxygen from the lungs to the other tissues and cells of the body.

SPACE/PLACE WHICH IS WHICH



One is Hamburg, 1850...guess what the other is....

Saturday, October 10, 2009

Bunnyproject


Cute and scandalous!
 http://www.connyblom.com/bunnyproject.html

Thursday, October 8, 2009

Map of Tropical Typhoons


Map of all tropical typhoon storms originating over the Pacific Ocean between 1980 and 2000. The vertical line on the right side of the image is the International Date Line.

Wednesday, October 7, 2009

DECLARE INTERDEPENDENCE

This is an open experiment.
A putting in words of what is already in the air.
The more this declaration is being read, thought or spoken out, the more its energy will manifest in our world and in our society.
If what is written here resonates with you, make it your statement.
Find ways to read it, share it and put it into action.

DECLARATION OF CULTURAL REVOLUTIONARIES 2009
_live, act, work with and not against nature
_know that life is too complex to understand it intellectually
_build and support local, self-governed economies
_value and safe-guard diversity of all kind
_value interdependence, since they know that nothing is separate
_regard themselves as equal to all life forms
_protect and support life
_love and support children unconditionally
_work on themselves towards greater awareness
_know about ecological principles and integrate them into their lifes
_see music and dance as an integral part of their expression and communication
_live on an animate earth and regard it as sacred
_know how to grow their own food
_appreciate their sensory awareness
_celebrate life
_cooperate
_make the shift from thinking ‘either, or’ to thinking ‘as well, as’
_share their knowledge
_understand and integrate process as a way of being
_are not identified with their body, thoughts or emotions
_see the mind as a tool
_realize that there is no right or wrong
_are not identified with any social tag, their past or their future
_are aware that the very essence of who they are is life itself
_take responsibility for their emotions
_are aware of and value their relationships to their living and seemingly non-living surroundings
_value and integrate the wisdom of women
_value and integrate the wisdom of indigenous cultures
_value generalist knowledge
_are aware of change as one of the core principles of evolution
_work towards diversification and decentralization
_engage in and create bonds to the place where they live
_turn from dependent consumers to responsible producers
_are looking for ways so that their interests and talents may unfold
_have the courage to resist and disobey laws that render self-rule, self-provisioning, and self-sustenance illegal
_are informed about the current money system and identify it as a contemporary form of enslavement
_identify and boycott biological, cultural, social and philosophical monocultures
_boycott monopolies of any kind
_question everyone who promotes one solution
_value environmental and human ethics over profit maximization
_boycott corporations and banks operating for profit maximization
_reclaim land and forests as common good
_reclaim water as common good
_reclaim biodiversity and knowledge as common good
_are aware that they participate in the process of co-creation at all time
_allow life to unfold through them

Berlin, 03/2009
Cultural Revolutionaries and The Declaration of Cultural Revolutionaries in 2009
created and stated by www.art-ecology-education.org

Litter in Baltimore

PSA
February 10, 2009 (Baltimore, Md.)—Planit will host Mayor Sheila Dixon and partners in the Initiative for a Cleaner Greener Baltimore in a private reception on February 11th to unveil two 30 second TV public service announcements aimed at stopping Baltimore residents from littering. The two spots, entitled “Butts” and “Paper Cups,” depict trash “vigilantes” who publicly call attention to “casual litterers,” in order to make viewers aware that even seemingly small, inconsequential pieces of trash are a big part of a growing trash problem.

Planit, a strategically driven marketing and communications agency, produced the spots as part of the $2 million Cleaner Greener Baltimore initiative, which began in Spring 2007. The Cleaner Greener Baltimore campaign is intended to change the public’s perception of littering and the behaviors that contribute to litter problems. The campaign has also included advertisements placed on city trash trucks and city-owned trash receptacles.

“The message, ‘Don’t make excuses, make a difference,’ is hard-hitting and confrontational. And that works really well here” says Planit President Matt Doud. “The goal isn’t just to tell people not to litter, but to empower them to call other people out when they see them doing it, even if it’s something that seems insignificant like a paper cup or a cigarette butt.”

The two spots will begin airing on February 16th on WBAL, the media partner for the Cleaner Greener Baltimore initiative.


The Cost of Litter no wonder there's so much litter, apparently one trash can costs $500 ???

Tuesday, October 6, 2009

BQE

Part of Sufjan Stevens' BQE video project

Monday, October 5, 2009

Sunday, October 4, 2009

Finding a Diamond in the Middle of a Muddy Road

Above: Bushwick Creek, represented in the 1839 S.Stiles, Sherman & Smith Map of Brooklyn and Williamsburg.
Below: Google Earth images of Bushwick Inlet, and surrounding area in 2009.
Brooklyn-based interdisciplinary artist, Eve Andrée Laramée is seeking a team of volunteers to work collectively on a project on dowsing for water in Brooklyn. This experimental project titled, Finding a Diamond in the Middle of a Muddy Road, will be conducted with a skeptical eye, yet an open mind, and will involve mapping the Greenpoint-Williamsburg, Brooklyn area using sets of dowsing rods and a GPS unit. The intention is to examine how the information recorded through the procedure of dowsing (also known as water divining or water-witching) compares/correlates to historical maps of the springs, creeks and streams that existed near Bushwick Creek, now known as Bushwick Inlet, prior to the urban concrete strata now covering it.

If you would like to be a part of this project, please contact the artist at: wander at earthlink dot net
Participants will receive a set of dowsing rods to keep.

A blog has been set up for the project, and more information will be posted on it:
http://brooklyn-water.blogspot.com

Saturday, October 3, 2009

Luxury Condos and the Rest: The Making of Place



Luxury Condos, and the rest
The Making of a Place

“Time forks perpetually towards innumerable futures,” wrote Jorge Luis Borges in his short story, “The Garden of the Forking Paths.” Considering the range of futures from sustainability to dissolution, Woven Spaces, a local not-for-profit arts initiative, encourages artists to conceive of multiple possible worlds from within their local community. This is the central concept behind “Luxury Condos, and the rest” an exhibition that imagines the landscape of the Greenpoint/Williamsburg of tomorrow by the talented local artists of today.
Woven Spaces, in preparation for the exhibition, is pulling together visual artists, architects, filmmakers, dancers, and performance artists who have lived in the Greenpoint/Williamsburg area for at least three years, to respond to the challenge of dreaming up where the community is headed. Each artist is invited to predict the future of this place, reflecting, evaluating, or dreaming up directions. The artist’s paths are innumerable: from Utopian to apocalyptic or surrealistic, to comical or satirical. Whether re-conceiving the urbanism of high-rise luxury architecture set beside industrial abandonment, avenues closed to traffic and covered in grass, or a complete replacement of what is here by new infrastructures and socio-economic groups; we welcome all visions.
During the course of the economic downturn, Woven Spaces identified artists’ concerns over exhibition space for more experimental forms of presentation and varied financial support for the arts. We are encouraging viewings and events in non-traditional spaces and are working to secure industrial interiors, storefronts, rooftops, streetscapes and the riverfront areas. We believe interconnectivity with the various sectors of community will expand audiences, and foster new communicative and creative relationships that enjoy and support the arts.
The first exhibition of the series will be held over three consecutive Saturdays in October of 2009 in Greenpoint’s Transmitter Park, as well as interior spaces yet to be confirmed. In May and October of 2010 we will hold the second and third exhibitions. The programs include film, video, performance, painting, and various types of mixed media and installation. We envision a series of panel discussions with artists, art professionals, and community activists alongside the exhibitions. The events are free and open to the public, and will be thoroughly publicized through local publications, email blasts, and using on line resources. The artists are selected through our own curatorial scouting and local gallery recommendations. We are also reviewing work through open submission calls, listed in the Brooklyn Arts Council and Woven Spaces websites.

Luxury Condos, and the rest: October 3rd Program
Transmitter Park, Greenpoint, Brooklyn, starting at 4pm.

5:30 pm – Artist Eve Andree Laramee, presentation on freshwater springs feeding Newtown and Bushwick Creeks – introducing larger project for Spring 2010
5:45 pm – Architects Evangeline Dennie & Kubi Ackermann, presentation on rooftop farming, green construction and urban ecosystems.
Ongoing art installations by Cris Dam and Ethan Pettit

6pm – 8 pm

Opening Reception
Music by Slim Francis and James Catholic & the Sects
Wine sold by OSA
8 pm – 9 pm

Films: Keith Rodan, Jonas Mekas, Angela Christlieb, Elle Burchill, Moira Tierney, Jim Jennings, and Sara Kraushaar. (Dress warm and bring a blanket!)
After party – River Barrel Cafe, 160 Franklin Street. (Joining new Greenpoint artists alliance.) After after party – Coco 66, 66 Greenpoint Avenue.


Saturday October 10th – Transmitter Park, starting at 4 pm

I. “The Pod” – an installation by Vamos Architects

II. 6 pm – t.b.d. Bar and Lounge, 224 Franklin Street. Debut of ongoing video screenings by Keith Rodan (waterfront footage and more). Screening schedule: Tuesdays through Saturdays, 5-9 pm, until October 30th.

III. After party 6 – 8 pm.


Luxury Condos, and the rest
The Making of a Place

Starting in Fall of 2009, Woven Spaces will be curating a three-part exhibition pulling together artists, architects, filmmakers, and performance artists who have lived in Greenpoint/Williamsburg for at least three years. Luxury Condos, and the rest; The Making of a Place will include a range of works from historical documentation, to reactive, redesigned, or reimagined – covering structural, natural, and recreational geographical aspects of the neighborhoods. The works will be presented within the traditional gallery setting, raw industrial interiors and open space venues.

Thursday, October 1, 2009

spook

IRA GLASS ON STORYTELLING: PODCAST TUTORIAL









<3 Ira Glass

LANDMARK-Thomas Merton-Louisville, KY


"In Louisville, at the corner of Fourth and Walnut, in the center of the shopping district, I was suddenly overwhelmed with the realization that I loved all those people, that they were mine and I theirs, that we could not be alien to one another even though we were total strangers. It was like waking from a dream of separateness, of spurious self-isolation in a special world, the world of renunciation and supposed holiness. The whole illusion of a separate holy existence is a dream...There is no way of telling people that they are all walking around shining like the sun....

I suddenly saw the secret beauty of their hearts, the depths of their hearts where neither sin nor desire nor self-knowledge can reach, the core of their reality, the person that each on is in God's eyes. If only they could all see themselves as they really are. If only we could see each other that way all of the time."

From T. Merton's book, "Conjectures of a Guilty Bystander."

The landmark designation was installed at the corner of 4th and Walnut in 2008

Rethinking education.

What is our place?
"When improvisation, imagination, and resourcefulness are key, artists at long last, take their place at the table, when strategies of action are in the process of being designed."

Wednesday, September 30, 2009

Our relationship with this Earth.

This is like Planet Earth except it talks about human ecology. The shots are really magnificently beautiful, depicting incredible natural phenomena I didn't even know existed. Very important for every human being to watch I think.

Tuesday, September 29, 2009

Measuring the Universe

A mapping of sorts, Roman Ondak's "Measuring the Universe"

RIP: A Remix Manifesto

http://films.nfb.ca/rip-a-remix-manifesto/
this is the website for the movie, you can download and watch it. (if you want...)

Aesthetically Pleasing Transit Benches

Very attractive street furniture designed by BMW. The Metro40 Collection. Designed for public transit systems, to make traveling around a city more aesthetically pleasing.

I like the one comment at the bottom by someone named Oliver: great design-maybe too cool for the public...

Mapping from Memory

I had seen this a year or two ago and thought it was just incredible... it took some digging, but I found it again.








Monday, September 28, 2009

Just for giggles.

Also:

pets-dogs-cats-infomercial-products-snuggie-for-dogs-fleece-blanket-with-sleeves-pink1.jpg

Inspiration:

vanessa-beecroft-vb61-2007-photo-ta.jpg

STILL DEATHI DARFUR STILL DEAF?, Venice Italy. 2007. Vanessa Beecroft.


See more performances, videos and drawings at her web page.

Notes/poems

Don't really know much about writing. But I figured I'd post something I was inspired to write down while taking notes on Trialectics of Spatiality and maybe get some feedback?

Simultaneous worlds/pernicious metropolises
Born without knowing into U N I V E R S E cities/raised by misunderstandings about space and time 
as well as w/health and happiness. 

Labyrinthian cataclysms reek havoc 250 THOUsand years and counting. 
Screams and songs ring muffled in air occasionally achieving awesome harmony. 
Confusion has a heavenly horizon...
for those who look up
inside
around
every witch way and every  where.

Sunday, September 27, 2009

This American Life

http://www.thisamericanlife.org/Radio_Episode.aspx?sched=1296 

Host Ira Glass is coming to MICA... 45 dollars a ticket?

"Stories of people who find themselves in situations far from the beaten path, where there are no guidelines and no useful precedents, including the return of Squirrel Cop."

Friday, September 25, 2009

More on First and Third Space Collision

Veronica posted a video earlier of Aaron Weiss, singer from mewithoutyou getting illegally tazered (and getting away). There is a video of him being interviewed about his thoughts on why bleak, poverty stricken landscapes exist in Philadelphia (as in other cities). I've posted the interview below:

An Electron Riding on a Light Ray


A beautiful video shot by scientists, of an electron moving on a light wave. This is the first time this was ever captured visually.

Pierre Huyghe speaks on Elsewhere


This is video #7 of the French Artist, Pierre Huyghe speaking on the idea of "Elsewhere" in relation to his work, "A Journey that Wasn't that was partially shot in Antarctica, and part in New York City's Central Park.

There are other videos in this series with Huyghe of the European Graduate School that can be found on YouTube, or the EGS website.

Pierre Huyghe was born in 1962 in Paris, France. He attended the École Nationale SupĂ©rieure des Arts DĂ©coratifs, Paris (1982-85). Employing folly, leisure, adventure, and celebration in creating art, Huyghe’s films, installations, and public events range from a small town parade to a puppet theater, from a model amusement park to an expedition to Antarctica. By filming staged scenarios—such as a re-creation of the true-life bank robbery featured in the movie “Dog Day Afternoon”—Huyghe probes the capacity of cinema to distort and ultimately shape memory. While blurring the traditional distinction between fiction and reality, and revealing the experience of fiction to be as palpable as anything in daily life, Huyghe’s playful work often addresses complex social topics such as the yearning for utopia, the lure of spectacle in mass media, and the impact of Modernism on contemporary values and belief systems.

TUM TUM, a site-specific interactive narrative



TUM TUM is a site-specific interactive narrative that reacts to the viewer's location. Located at Tumwater Falls, in Olympia Washington, this project of Evergreen State College uses a Tablet PC, a GPS receiver, and headphones. As the user moves thru the landscape, the story unfolds in real time & space.

More information HERE.

Thursday, September 24, 2009

Tracking A Day




Rebekah May, a graduate candidate at the Californica College of the Arts. makes work that attempts at mapping the passage of time. The above image is her attempt to map the 4,969 steps she took on 3/27/09.

I think it is a great example of the limitations and possibilities of mapping a the no-where of the Drift.

Wednesday, September 23, 2009

INTERVIEW: A CONVERSATION ABOUT NATURE & THE CITY

Inter:View from Jennifer Wallace on Vimeo.

Manuel DeLanda

Manuel DeLanda - The Philosophy of Gilles Deleuze. 2007 1/5
http://www.youtube.com/watch?v=zqisvKSuA70

About the animal in man, Bower Birds and more.

Missed connections mapping-Kate Glenn




map of NYC, map of NYC's missed connections

Collaborative project headed by Ingrid Burrington

When firstspace and thirdspace collide


This is rumored to be the singer of mewithoutyou. Also, I like watching him disappear into the distance.

2009 International Architecture Biennale Rotterdam



Some MICA students and Dan D'Oca from Art History are participating in this conference on the "Open City"...
Check out the website: http://www.iabr.nl/EN/open_city/index.php

Tuesday, September 22, 2009

Some Interesting artistis

Another Great Quote:
"Our World goes through and through us and we through it, there is no boundry..."- Ursula K. Le Guin


here are some links to some artists i found that were of interest to me...

Welfare State International
: they really remind me of the theater i worked with this summer called "Redmoon Theater" and also Nana Projects...I like how they really embody celebration

Shan Wells

Strijdom Van Der Merwe

Diana Lynn Thompson


Urs-P. Twellmann

Ingrid Koivukangas

Good Quote

Though this was a good quote, it's from the artist Simon Whitehead (terrible name, right?)

"My work moves from the desire to travel a distance in order to encounter the other. The smallest and most subtle part of my work is in the telling. The majority of the work happens whilst in motion - on the street, the hill or in a room. In this way my process is place and energetically-sensitive, the outcome often unresolved and indeterminate."

Monday, September 21, 2009


Collyer Brothers on Wikipedia

"Both were eventually found dead in the Harlem brownstone where they had lived as hermits, surrounded by over 100 tons of rubbish that they had amassed over several decades.[1]"

http://en.wikipedia.org/wiki/Collyer_brothers

Sunday, September 20, 2009

POWERS OF TEN-CHARLES AND RAY EAMES

Center for Land Use Interpretation


Check out the CENTER FOR LAND USE INTERPRETATION's website. An incredible resource is their LAND USE DATABASE, through which you can research sites of geographic, cultural, industrial interest, and more. Their offices are based in Los(t) Angeles. For their website click HERE.
Below are some photographs I took a few years ago while visiting their Wendover facility - it's an artist in residence program at an abandoned airbase. There was a MICA alum in residence at that time.
Artist studio.
Solar power panels, solar shower and greywater distiller.
Off the grid operations.
Experimental "Smart" Car used to tour the property.
Dashboard of Smart Car displays sites of interest.

Trouble in Paradise Project



The artists, Christoph Steinbrener and Rainer Dempf have created a remarkable installation at the Vienna Zoo dealing with environmental issues. See more on their website HERE.

Amazing Subterranean Landscape


[Image: From Sietch Nevada by Matsys; renderings by Nenad Katic].

Read/see these amazing subterranean landscape renderings inspired by Frank Herbert's novel, Dune, on BLDGBLOG, a wonderful architecture blog that covers many interesting space/place matters.

To link to the subterranean world, Hexagonal Hyropolis, click HERE.

Wednesday, September 16, 2009

New post of media file

New post


The new post is of a random image found on the space of this computer desktop.

Wednesday, March 18, 2009

Deserted Futuristic Resort Village








The deserted resort village of San Zhi (Sanjhih), outside of Taipei Taiwan, constructed of fiberglass. More here: http://www.notcot.com/archives/2008/03/san_zhi.php
and here: http://sofree.cc/truth-about-frp/
and here at cypherone's flickr site: http://www.flickr.com/photos/cypherone/167280555/

Landscape Urbanism Bullshit Generator

http://www.ruderal.com/bullshit/bullshit.htm
Deterritorialize topographical mappings, inhabit fallow corridors, embrace robust terrains, enhance post-industrial pluralities, strategize plug-and-play sustainabilities, and mesh dynamic methodologies and more!

Tuesday, February 3, 2009

Explore the Depth of the Oceans on Google Earth


From New York Times, February 3, 2009
Until now the existing features on Google Earth were mountains, valleys, cities, plains, ice sheets — were built through programming from an elevation of zero up. “We had this arbitrary distinction that if it was below sea level it didn’t count,” recalled John Hanke, the Internet entrepreneur who co-created the progenitor of Google Earth, called Keyhole, and moved to Google when the company bought his company in 2004.

Through new programming and data collection simulated oceans were created as a significant of several upgrade to Google Earthy. Historical Imagery, another feature provides the user with the ability to scroll back through decades of satellite images and watch the spread of suburbia or erosion of coasts. Touring is a feature where you can create narrated, illustrated tours, on land or above and below the sea surface, describing and showing things like a hike or scuba excursion, or even a research cruise on a deep-diving submarine.

Archives of information, called “layers” accessible by 20 buttons, a visitor can read logs of oceanographic expeditions, see old film clips from the heyday of Jacques-Yves Cousteau and check daily Navy maps of sea temperatures. The replicated seas have detailed topography reflecting what is known about the abyss and continental shelves — and rougher areas where little is known. Some of these features convincingly visualize the increasing interplay of humans and the environment, for better and worse, as populations grow and spread.

“It’s a way of raising awareness from thousands to billions overnight,” said Richard W. Spinrad, the N.O.A.A. assistant administrator for research, who served on an advisory panel.

Sunday, December 28, 2008

Border Stripes on Brooklyn Asphalt



Reposted from Bryan Finoki's Subtopia Blog:
A Subtopian Rainbow Under Your Feet
A relatively innocuous borderline has been literally drawn smack dab in the middle of downtown Brooklyn, we are told, absurdly enough, a “de-militarized “zone” only about one foot wide” to be exact.
Apparently there is a little turf war going on between the city’s construction workers and the federal employees at the site of the new federal courthouse, where both contingencies are vying for use (and perhaps control) of the parking lot. Funny. The line was painted by the city to advise construction workers to respectively stay on their own side with regards to storing equipment, parking, etc.
Even though it appears there is nothing really contentious going on, it’s interesting to see that an actual line has been painted on the street to make perfectly clear where city authority ends and federal power takes over. “Until 9-11," the Brooklyn Paper mentions, "the street (Camden Plaza East) was open for drivers, who could use it as a straight shot from Downtown to DUMBO. But after the terror attack, the feds seized it, citing security needs.”
I don’t know, I kind of like that the line was painted, for whatever reason. Makes me want to cruise around the nation, going city-to-city, with maps of each, some GPS nav gear, and maybe one of those professional pavement stripers you see city dudes driving in the middle of the street converted into my very own personal borderline striping chariot, and paint more of them -- federal versus local geographic lines in the city.
Better yet, what if geography departments in universities across the country coordinated a nationwide semester curriculum, so that each class could be responsible for marking similar boundaries in their own state’s prominent cities. The universal assignment would be just that: to simply roll around downtowns everywhere and outline all of the little unknown, unseen boundaries that exist between federal and local aauthorities as they are territorially distributed, on the streets, over sidewalks, in front of courthouses, underground in secret tunnels, around bollards, behind secret DHS buildings, ICE detention centers, weaving together districts of federal offices and military recruiter outposts in meandering perimeters of nice wet paint, for all to see; not missing, of course, the secret NSA listening rooms harboring in phone company HQ buildings, or the TSA interrogation rooms within airports, the research labs bellied in even the most liberal universities, old industrial sites, toxic brown sites, mysterious test sites, even new border fence property acquisitions, or national landmark buffers, and so on.
I would love to see an army of students and their professors invading the city with hordes of pavement stripers scrawling the margins of various no-access zones like mad, leaving nothing behind but a fresh coat of visibly territorialized entrails in their tracks. Along these trails there would be collection meters so that people could pitch in a few pennies for more paint.
Maybe once finished tracing the perimeters of the fed’s sovereign landscape within America's urban heartland in a nice and glossy black, the next semester these cryptic pavement stripers reveal another colored urban geography: the corporate privatizations of public space in royal blue; the following semester we find the redacted acreage of seized public park space marked in harsh lines of cement gray, and the next one after that the nation’s CCTV metro-surveillance grids appear on the streets in red, and the newly designated ‘free speech and protest zones’ in pink, then the anti-homeless panhandling spheres pop up around ATMs in green, the restricted day laborer gathering spaces on various street corners and parking lots appear in yellow, and on and on and on.
In the spirit of Ronen and Francis’ illuminated borders projects, I’d love to bring these subtle and unmarked boundaries to the surface, in a kind of crisscrossing rainbow of longitudes and latitudes similar to the guiding lines you find in hospitals on the floors and along the walls, where separate colors lead you to different quadrants and different departments within the hospital; a kind of architectural navigation system for the institution's compartmentalized bureacracy.
People could then tour these rainbow grids at lunch, or on the weekends, and just take a little cruise of the hidden geographies of America’s urban landscape, along the way dropping a little spare change into the meters so all the kids could be supplied with fresh paint for next semester. By Bryan Finoki
Link to SUBTOPIA blog